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In Montreal

Charlie Haden* & Egberto Gismonti
Discos: Jazz

Disponible

Ficha técnica Discos

Sello	ECM
Estilo	Jazz
Año de Edición Original	2001
Instrumental
Concierto

Más

Egberto Gismonti (piano, guitarra en "Salvador", "First song" y "Em família") y Charlie Haden (contrabajo)

Grabado "ao vivo" (en directo) en la Salle Marie-Gérin-Lajoie, en Montreal (Canadá), el 6 de julio de 1989, en el Festival de Jazz de Montreal.

"In 1989, the Montreal Jazz Festival celebrated the achievements of bassist Charlie Haden in a series of special concerts. Arguably the most exceptional performance in the series – and certainly the one that took Haden furthest from strict definitions of "jazz" – was his concert with Brazilian guitarist-pianist Gismonti, released now for the first time on the label that has been Egberto’s home for more than a quarter-century: ECM. "First there were the soft silences, then the bright tropical colours, and when their concert peaked, it became a dancing, joyous celebration of life" – Montreal Gazette. "In Montreal" is an historic concert recording, and its release on ECM a major event." (Texto de presentación del sello discográfico)

"Twelve years after it was recorded at the Festival International de Jazz de Montréal, this landmark performance by legendary American bassist Charlie Haden and Brazilian guitarist-pianist Egberto Gismonti at last saw the light of day in 2001. The concert marks the sixth of eight organized by the festival in celebration of Haden’s ongoing legacy. Haden had plenty of experience playing with Gismonti as part of their Magico trio with Norwegian saxophonist Jan Garbarek, yet the distillations offered here are entirely of another plane.
From the Magico songbook the duo plays “Palhaço” (a trio staple by Gismonti), as well as the Haden-penned “Silence.” Both feature Gismonti’s astonishing pianism, balancing florid biospheres with ponderous asides, Haden all the while drafting the terms of endearment by which every page turns. Haden the composer also reveals the set’s deepest piece: “First Song.” Featuring Gismonti on acoustic guitar, its intuition soars for all its quietude. A pleasant street scene, a childhood memory, a favorite scent in the air…exchanging glances in a melodic triangle. Such trade-offs mark the session for its selfless ingenuity. So, too, the jangly undercurrents of opener “Salvador” and “Em Familia,” both of which reference Gismonti’s work with Academia de Danças and, as such, reflect a bold unity of purpose. The latter’s invigoration grabs scruffs and throws us skyward, even as it gives us wings to fly. And fly we do into quiet pockets of cloud, each the eye of a storm where the leaves barely tremble to the tune of Gismonti’s masterful harmonics. Also notably from the Academia repertoire are “Maracatú,” a study in contrasts, and “Frevo,” in which pointillism at the piano inspires dramatic, resonant depths from Gismonti’s partner. “Don Quixote” (previously featured on Duas Vozes with percussionist Nana Vasconcelos) closes with an elegy-turned-anthem, a shifting ocean of temperate love.
Although there is much to admire in Gismonti’s prodigious guitar playing, it’s at the piano where his musicality truly shines. How wonderful to get so much of it here. And no bassist crafts melodies quite like Haden. He keeps the earth in mind, even when there is nothing but sky ahead of us, scaling the ladder from light to dark and back to light while Gismonti filigrees his playing like a frame around a picture. In Montreal is a must-have for fans of these unique talents, who together forge a distinctly “global” sound: not world music, but music for the world." (ecmreviews.com, 02.09.2013)

Temas

CD 1

Salvador
Egberto Gismonti