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Marcos Resende & Index

Marcos Resende
Discos: Jazz fusión

Disponible

Ficha técnica Discos

Sello	Far Out
Estilo	Jazz fusión
Año de grabación	1976
Año de Edición Original	2021
Instrumental

Más

Marcos Resende (teclados, piano, piano eléctrico, sintetizadores, arreglos, producción)

Banda Index: Oberdan Magalhães (saxo tenor, saxo soprano, flauta), Rubão Sabino (bajo eléctrico), Claudio Caribê (batería).

Otros músicos participantes: Barrosinho, Bidinho y Wanderley (trompeta), Zé Carlos Bigorna (saxo tenor flauta), Leo Gandelman y J.T. Meirelles (saxo alto, flauta), Lucio (trombón) Victor Biglione (guitarra eléctrica, guitarra de 12 cuerdas), Paulo Soledade (guitarra acústica), Alfredo Dias Gomes (batería), Fernando Gama (bajo eléctrico), Wilson Meirelles y Café (percusión).

Grabado y mezclado en el Estúdio Sono-Viso, en la ciudad de Rio de Janeiro, entre el 5 y el 28 de eptiembre de 1976.

"Beyond their highly sought after 1978 album Festa Para Um Novo Rei - home to the mystical jazz-funk classic ‘Vidigal’ and released on Philips’ iconic Musica Popular Brasileira Contemporanea series (MPBC) - little is known about Marcos Resende & Index, even to aficionados of obscure Brazilian music. This is their previously unreleased self-titled debut album from 1976, contributing a crucial missing work from the glory days of progressive Brazilian instrumental music.
Born in Cachoeiro de Itapemirim, Brazil in 1947, Marcos Resende was a prodigious child who learned to play the accordion at the age of two, and the piano aged six. In spite of his immense musical potential, he travelled to Lisbon in the 60s to study medicine. Yet continuing to explore his musical passion on the side, he formed a trio which went on to open for Dexter Gordon at the Cascais Jazz Festival in 1971. From here he formed the electronic oriented prog-jazz group Status, who opened shows for the likes of Elton John, Phil Woods, Stan Getz, Art Blakey & The Jazz Messengers, but in spite of their relative live success they have no known recordings.
Now established as a highly regarded keyboardist, composer, and innovative electronic musician, Resende returned home to Brazil following Portugal’s Revolução dos Cravos in 1974. Inspired by US jazz and British progressive rock he’d experienced while residing in Europe, Resende went all out acquiring a keyboard arsenal to be reckoned with, which included the Prophet 5, Yamaha CP-708 and Mini Moog. Determined to integrate his newfound inspirations with Brazilian rhythms and jazz traditions, he formed a new quartet with Rubão Sabino (bass), Claudio Caribé (drums) and the late great Oberdan Magalhães, of Banda Black Rio and Cry Babies fame. Marcos Resende & Index recorded their self-titled debut at Sonoviso Studios with the legendary sound engineer Toninho Barbosa, known as the ‘Brazilian Rudy Van Gelder’ whose impressive resumé includes the era defining classics Light As A Feather by Azymuth, Previsão Do Tempo by Marcos Valle, and Quem É Quem by João Donato. Marcos Resende & Index fits perfectly amongst these masterpieces, sharing both the timeless ethereal qualities as well as the progressive and futuristic ideals of Light As A Feather in particular.
At the time of recording, Resende had hoped to release the album on the famed CTI Records, and although a deal with the label almost came to fruition, it fell through and the album was shelved by Marcos who had other priorities working with the likes of Gilberto Gil, Edu Lobo, Gal Costa and Carlos Dafé, as well as making music for TV and film.
Thankfully Marcos kept the tapes from the Sonoviso sessions safe and presented them to Far Out’s Joe Davis at his home in Lisbon in 2018, but only after 25 years of Joe pleading to hear them. Marcos has worked closely with Far Out towards restoring these recordings over the last two years, but tragically passed away after a battle with stomach cancer on 12th November 2020 at the age of 73, only a matter of weeks before the album was due to be unveiled to the world. With the blessing of his family who wish to honour his memory by ensuring these historic recordings see the light of day."