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Entre um silêncio e outro

Entre um silêncio e outro

Marco Antonio Araújo
Discos: Clásica

Disponible

19,36 € impuestos inc.

Ficha técnica Discos

Sello Progressive Rock Worldwide
Estilo Clásica
Año de Edición Original 1983
Instrumental

Más

Marco Antonio Araújo (guitarra acústica, arreglos)

Paulo Guimarães (flauta), Sergio Gomes (trompa), Márcio Mallard y Jaques Morelembaum (cello).

Primera edición en CD, de 1994, del disco lanzado originalmente en 1981 por el sello Strawerry Fields. Incluye 3 temas extra (los tres primeros del disco).

"Entre um Silêncio e Outro é o terceiro álbum do aclamado músico e compositor mineiro Marco Antônio Araújo. Foi lançado em 1983, em formato LP, de forma independente por sua própria gravadora, a Strawberry Fields.
O álbum, que traz na capa uma gravura do artista plástico Carlos Scliar, foi dedicado in memorian à sua professora Esther Scliar. Foi o disco mais elaborado do Marco Antônio Araújo, premiando o lado mais erudito de sua formação musical.
Conforme o site AllMusic.com, a música "Abertura II" está incluída no seu primeiro álbum Influências, mas esta nova versão foi gravada com guitarra. "Cantares I" também é de Influências (com o título "Fantasia No. III - Cantares"), mas a versão aqui presente foi gravada em 1978 com instrumentos clássicos, percussão, guitarra e violão de aço." Wikipedia

"Marco Antonio Araujo is a brazilian guitarist who used to play instrumental music, blending rock with folk. On this album, he changed his usual formula by playing a more intimate music, close to classical chamber music. In fact, he is backed by 2 cellists, and one flautist, a completely different line-up than the previous one which formed the band Mantra. This album is dedicated to the memory of Araujo's teacher of composition, Esther Scliar, explaining the change of direction on this album and his will to showcase his composition skills. The music is truly beautiful, one could even wonder if it hadn't been composed by a most renowned classical composer, the level of complexity being so relevant in this record. The album consists of two tracks (three more on the reissued edition, in the same vein) crafted to form a suite. The overall feel to the music is very european, the cello giving a touch of romanticism and the flute a touch of classicism, only the guitar has the typical latine tone, reminding the solo works of Egberto Gismonti, to whom he was nevertheless compared. Fortunately, the album is not focusing on Araujo's guitar work, rather the quartet works as an ensemble, each of the musician contributing equally to this record. The music presented here should appeal more to the usual classical music listener, than the prog fan. However, when comparing this record to Araujo's other ones, I much prefer the classical texture of this music than the prog-rock Araujo played with Mantra. It just seems to be a more mature work. Unfortunately, the great Araujo died prematurely in 1986. This album will remain for me the best testimony of his art." Lucas Biela (progarchives.com)

Temas

CD 1
01
Abertura I (bonus)
Marco Antonio Araújo
06:35
02
Abertura II (bonus)
Marco Antonio Araújo
07:16
03
Cantares II (bonus)
Marco Antonio Araújo
04:52
04
Fantasia nº 2
Marco Antonio Araújo
19:56
05
Fantasia nº 3
Marco Antonio Araújo
30:39
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