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Later (Depois)

Mani Padme Trio
Discos: Jazz

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Ficha técnica Discos

Sello Red Records
Estilo Jazz
Año de Edición Original 2006
Instrumental

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Mani Padme Trio: Yaniel Matos (piano), Zeca Assumpção (contrabajo), Ricardo Mosca (batería).

Participación especial de: Teco Cardoso (flauta, saxo soprano).

Edición europea (Italia), de 2007, del disco lanzado originalmente en Brasil un año antes por el sello Baticum (con una portada diferente) (la segunda foto es la de la edición brasileña).

Segundo álbum del trio paulistano de jazz liderado por el pianista cubano Yaniel Matos, residente en Brasil desde 2000.

"“For any artist whose recording debut has met with great acclaim, the second album represents an extremely delicate moment (...) This is the situation in which the Mani Padme Trio finds itself: now, after a celebrated debut, they reach the fateful moment in which the listener becomes an inexorable judge of the new production. Having had the privilege of writing the cover notes and, therefore, having had plenty of time to listen calmly to Depois (Later), we can anticipate to the listener that the promises of the debut were not disregarded, even if this album is not a photocopy of the previous one. The trio has undergone a change, slightly changing its structure, with the entry of Zeca Asumpção on the double bass and, depending on musical needs, in some pieces it even turns into a quartet thanks to the presence of the flutist and saxophonist Teco Cardoso. On a musical level, the discourse continues where it was interrupted and further develops the themes that emerged in Um Dia De Chuva (A Rainy Day), which find here a further expansion and development. Everything that had thrilled us in the debut album can be found in a more complete and mature form in Depois (Later) which Even more than Um Dia De Chuva, shows remarkable internal cohesion. The pieces featured are not only beautiful compositions but are part of a single overall design, of a lucid and well-centered artistic project. Yaniel Matos prefers slow tempos, loves to create suspended atmospheres which develop gradually, almost without the listener being able to realize it. As happens when a stone is thrown into water, concentric circles propagate from the center to the periphery, apparently the same but always different. Thus the music of the Mani Padme Trio develops without interruptions, without accelerations, without jolts, following a logical and flowing path, so natural as to seem even inevitable. The insistence on the repetition of the theme, always characterized by a great melodicity, the slow and gradual variation of the same which then flows into the measured, lean, simple solo built with a constant interaction with silence and with the breath of the surrounding environment are essential characteristics of the style of the Mani Padme Trio. Today, after listening to the second work, we can confirm what Um Dia De Chuva (A Rainy Day) hinted at: The Mani Padme Trio has a sound of its own, charming and unmistakable, and is endowed with a well-defined personality. The personality that a great trio cannot do without if they want to try to affirm something important in the world of jazz today." Marco Giorgi (Texto de la contraprtada del disco)

Temas

CD 1
01
Gabriela
Yaniel Matos
Mani Padme Trio & Teco Cardoso
05:25
02
A princesa e o mendigo
Yaniel Matos
07:48
03
Depois (Later)
Yaniel Matos
Mani Padme Trio & Teco Cardoso
08:40
04
Ojos verdes
Yaniel Matos
08:30
05
Danzón
Yaniel Matos
08:16
06
Encontro com o mar
Yaniel Matos
Mani Padme Trio & Teco Cardoso
08:36
07
Duo
Yaniel Matos - Ricardo Mosca
03:58
08
Recuerdos
Yaniel Matos
07:14
09
Primavera
Yaniel Matos
06:08