EntreMundos

Nomade Orquestra
Disques: Jazz / World music

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Fiche technique Disques

Timbre	Far Out
Style	Jazz / World music
Année d'origine Édition	2017
Instrumental

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Nomade Orquestra: André Calixto (saxo tenor, saxo soprano, flauta, armónica), Beto Malfatti (saxo alto, flauta, pilatos), Bio Bonato (saxo barítono), Victor Fão (trombón), Marco Stoppa (trompeta, shofar), Marcos Mauricio (teclados), Luiz Galvão (guitarra eléctrica), Ruy Rascassi (contrabajo), Guilherme Nakata (batería), Fabio Prior (percusión).

Participación especial de: Beto Montag (vibráfono).

Segundo disco de la big-band paulistana creada en 2012, que hace un jazz fusión moderno con múltiples influencias (funk, soul, Afrobeat, músicas étnicas, dub, hip hop). Ellos mismos se definen como el "punto de encuentro de diversas formas de expresión musical, que pasan a interactuar en el mismo sentido". Efectivamente, su música es una densa amalgama de sonidos provinientes de culturas diversas, tradicionales y modernas, cohesionados por el jazz, con una potente base rítmica.

"EntreMundos is like a cosmic musical playground where Ethio-jazz, Indian classical and Oriental sounds dance around Afro-Brazilian roots rhythms and Northern hemisphere jazz, funk, soul, library music and hip-hop influences. The sheer vastness of the album is astounding, Nomade Orquestra have quite literally conquered the world in sound.

Nomade Orquestra are some the most accomplished musicians in their city. They’re also avid record collectors, citing the coming-together of their expansive musical knowledges as key to their unique sound. Album opener ‘Jardim de Zaira’ - a tribute to the neighbourhood on the outskirts of the famous ABC region, where the band meet and rehearse - hosts a playful unison of vibraphone, guitar, horns and keyboards reminiscent of Stereolab’s funkiest late ‘90s output. ‘Felag Mengu’ lies somewhere between the groovy, brooding ethio-jazz of Mulatu Astatke and Tinariwen’s hazy desert Rock, and ‘Olho do Tempo’ is another enchanting incarnation of the band’s impossible to define brand of global roots music. The album’s wildest moment comes from the roaring off-road, big-band joy-ride ‘Rinoceronte Blues’ with hill-billy harmonica, soulful organ stabs and soaring horn arrangements further highlighting the depths of Nomade Orquestra’s endless span of influences.

With Gilles Peterson singing their praise and rave reviews from the likes of Wax Poetics, Record Collector and Songlines, last year, Nomade Orquestra’s self-titled debut album launched them from humble beginnings to international recognition." (texto de presentación del sello discográfico)